Photo taken from PoetryFoundation.org
Mina Loy was a early 20th century modernist poet contemporaneous with T.S. Eliot, Ezra Pound, William Carlos Williams, etc. She wrote more in like Eliot's 'everything is terrible' style than WCW's 'maybe everything isn't THAT terrible' style, and her work had a strong feminist streak to it, even before the Flappers made the scene. "Parturition" is a strong example of Ms. Loy's work, a vicious, ice-cold condemnation of women's lot in life.
"Parturition"
I am the centre
Of a circle of pain
Exceeding its boundaries in every direction
The business of the bland sun
Has no affair with me
In my congested cosmos of agony
From which there is no escape
On infinitely prolonged nerve-vibrations
Or in contraction
To the pinpoint nucleus of being
Locate an irritation without
It is within
Within
It is without
The sensitized area
Is identical with the extensity
Of intension
I am the false quantity
In the harmony of physiological potentiality
To which
Gaining self-control
I should be consonant
In time
Pain is no stronger than the resisting force
Pain calls up in me
The struggle is equal
The open window is full of a voice
A fashionable portrait painter
Running upstairs to a woman’s apartment
Sings
“All the girls are tid’ly did’ly
All the girls are nice
Whether they wear their hair in curls
Or —”
At the back of the thoughts to which I permit crystallization
The conception Brute
Why?
The irresponsibility of the male
Leaves woman her superior Inferiority.
He is running upstairs
I am climbing a distorted mountain of agony
Incidentally with the exhaustion of control
I reach the summit
And gradually subside into anticipation of
Repose
Which never comes.
For another mountain is growing up
Which goaded by the unavoidable
I must traverse
Traversing myself
Something in the delirium of night hours
Confuses while intensifying sensibility
Blurring spatial contours
So aiding elusion of the circumscribed
That the gurgling of a crucified wild beast
Comes from so far away
And the foam on the stretched muscles of a mouth
Is no part of myself
There is a climax in sensibility
When pain surpassing itself
Becomes exotic
And the ego succeeds in unifying the positive and negative poles of sensation
Uniting the opposing and resisting forces
In lascivious revelation
Relaxation
Negation of myself as a unit
Vacuum interlude
I should have been emptied of life
Giving life
For consciousness in crises races
Through the subliminal deposits of evolutionary processes
Have I not
Somewhere
Scrutinized
A dead white feathered moth
Laying eggs?
A moment
Being realization
Can
Vitalized by cosmic initiation
Furnish an adequate apology
For the objective
Agglomeration of activities
Of a life
LIFE
A leap with nature
Into the essence
Of unpredicted Maternity
Against my thigh
Tough of infinitesimal motion
Scarcely perceptible
Undulation
Warmth moisture
Stir of incipient life
Precipitating into me
The contents of the universe
Mother I am
Identical
With infinite Maternity
Indivisible
Acutely
I am absorbed
Into
The was—is—ever—shall—be
Of cosmic reproductivity
Rises from the subconscious
Impression of a cat
With blind kittens
Among her legs
Same undulating life-stir
I am that cat
Rises from the sub-conscious
Impression of small animal carcass
Covered with blue bottles
—Epicurean—
And through the insects
Waves that same undulation of living
Death
Life
I am knowing
All about
Unfolding
The next morning
Each woman-of-the-people
Tiptoeing the red pile of the carpet
Doing hushed service
Each woman-of-the-people
Wearing a halo
A ludicrous little halo
Of which she is sublimely unaware
I once heard in a church
—Man and woman God made them—
Thank God.
No comments:
Post a Comment